Jamming Meaning: Definition, Examples, and Translations
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jamming
[ˈdʒæmɪŋ ]
Definitions
music performance
Jamming is a spontaneous musical performance where musicians improvise and create music together without a predetermined arrangement. This practice often occurs in informal settings and can involve a variety of musical genres. It allows musicians to express creativity and collaborate in real time, resulting in unique soundscapes. Jamming can also foster a sense of community among musicians and enhance their skills and camaraderie.
Synonyms
collaboration, improvisation, session.
Examples of usage
- We spent the afternoon jamming in the garage.
- The band organized a jamming session at the local café.
- He loves to go jamming with his friends on weekends.
interfering signal
Jamming refers to the deliberate interference of communication signals, preventing the transmission of messages. This technique is often used in military operations to disrupt enemy communications and protect sensitive information. Jamming can be achieved through various methods, including broadcasting noise on the same frequency as the target signal. It poses significant challenges for maintaining secure communications in many environments.
Synonyms
blocking, disruption, interference.
Examples of usage
- The military employed jamming to disrupt enemy transmissions.
- Signal jamming can hinder emergency communications during disasters.
- They were caught jamming radio frequencies in the area.
Translations
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Origin of 'jamming'
The term 'jamming' originates from the noun 'jam,' which has several meanings including 'to squeeze tightly together' or 'to block.' In the musical sense, 'jam' evolved in the 20th century, particularly within the jazz scene, to denote informal meetings among musicians to create spontaneous musical expression. The broader application of the term in the context of signal interference comes from the idea of 'blocking' or 'jamming' communication signals intentionally. Both uses reflect themes of interaction and obstruction, with roots in improvisation and control over communication channels. The duality of the term encapsulates both the creative spontaneity found in music and the tactical considerations involved in communication disruption.